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This book enables you to easily recognize the 500 most essential Japanese Kanji—and to memorize their readings and meanings quickly and easily!

This book teaches an innovative new method to learn the basic 500 Japanese characters—teaching you how to easily recognize the Kanji and to remember their readings and meanings. Learning to read Japanese and write Japanese requires knowing hundreds of Kanji. Traditionally, the ability to learn Kanji characters was accomplished purely by rote memorization. This method is extremely slow, tedious and time–consuming. The new science of mnemonics has changed all that. By associating an easily–remembered visual image and story with each Kanji, the learner is able to commit the characters to long–term memory far more easily and quickly than ever before. mnemonics also dramatically helps students to write kanji as well. This revolutionary new method has been tried by many thousands of students and it really works!

Using a systematic building–block approach to written Japanese, this beginner kanji book also shows you how more complicated characters are constructed from simpler elements. And similar mnemonic strategies are provided for learning the different pronunciations or "readings" of the characters. The CD–ROM that is included provides audio recordings by Japanese native speakers to perfect your pronunciation. It also provides a unique interactive software program showing you how to write each character and allowing you to write it yourself on screen!

This book can be used by anyone, and requires no prior knowledge of the Japanese language. It can be used in conjunction with any Japanese textbook to learn the important Kanji characters upon which the language is based.

Key features of this book include:

• Drawings and stories to create mental associations for the characters that stick in the brain and allow you to recall their meanings and readings. A CD–ROM software program showing you how to write each kanji character
• Native speaker audio recordings for all the Kanji characters, vocabulary and sample sentences.
• Sample sentences to expand your vocabulary by showing you how the Kanji are actually used.
• Extensive review exercises to reinforce what you've learned.
• User–friendly indexes allowing you to look–up the Kanji and use the book like a Kanji dictionary.

The 500 Kanji characters provided in this book include all the characters needed for the AP and JLPT Level 4 and 5 exams–giving you access to approximately 80 percent of all the Kanji characters you encounter in Japan!

• Sales Rank: #456396 in Books
• Published on: 2013-04-09
• Released on: 2013-04-09
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.55 pounds
• Binding: Paperback
• 480 pages

About the Author
Glen Nolan Grant is an acclaimed translator of Japanese. He has traveled extensively, visiting over 60 countries and learning to speak six languages. He became attracted to the Japanese writing system while living in Japan, and after hearing that many consider Japanese to be the most difficult written language in the world, he took on the challenge of finding a way to make learning it easier. Tuttle Learning Japanese Kanji is the result of that challenge.

Most helpful customer reviews

8 of 8 people found the following review helpful.
deciphering written Japanese
By LJG
Many years ago, I enrolled in a Japanese language course with the intent of moving to Japan. Not having a great facility for languages, I found myself frustrated and stymied by characters and symbols that I could not remember. Plans changed, I did not move to Japan and I did not think I had any further interest in learning Japanese.

Recently, someone told me that the mnemonics used by the author of this book were rather unique and some quite difficult to forget. I thought if the author could help me with information retention, I was game to try it again.

There is some quirky humour in this book… which appeals to me. Just check out the way to remember the Kanji for play… it had me laughing enough so I still remember it. Whether you have a serious determination to learn Japanese or just a passing interest, I think this book is a great option.

6 of 6 people found the following review helpful.
interesting...
By capelin345
As a native speaker of Japanese living in North America, I find the introduction of this book helpful to explain kanji to my English-speaking friends. This book does a good job explaining the difference between on-yomi and kun-yomi, which I often struggle when they ask.
The highlight of the book would be the “remembering this kanji” section where the author provides tips on how to memorize each kanji by visually decomposing the character into smaller components. For example, the way to remember the character “hundred” (hyaku; 百) is described as “A recent survey found that ONE HUNDRED percent of white bun tops are white. ONE HUNDRED percent! Rarely is scientific research so conclusive” (p.55), with a hand drawn hamburger bun, a jelly bean, and the sun. This section would possibly make the learning of kanji somewhat enjoyable, which otherwise would be daunting.

6 of 7 people found the following review helpful.
Similar to the Chinese Characters
By mpage
I am a big fan of Tuttle's Learning Chinese Characters and so I thought I would pick this book up when I started learning Japanese. The kanji have pretty much the same meaning as the chinese characters but the pronuncitions are different for Japanese. I'm a visual learner so I need to think of the Kanji in terms of pictures and this book does an excellent job of that. For every character there is a picture which helps to remember it. Highly recommend.

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Tuttle Learning Japanese Kanji: (JLPT Levels N5 & N4) The Innovative Method for Learning the 500 Most Essential Japanese Kanji Characters ( PDF
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[Z668.Ebook] Free PDF The Snake Pit , by Mary Jane Ward (1946 First Edition), by Mary Jane Ward

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The Snake Pit, a mentally insane read! Read Up it is as relevant today as it was in the 1920's , plus learn a few new vocabulary words , hardly heard today. Put yourself into the mind of an woman living in the 1920's who finds herself insane and in a mental institution. See how the system has changed and not changed since this time. See how medical beliefs and society has progressed or not progressed when dealing with this issue. Some very good points are made in this fictional story. A major award winning book and a Movie was made out of the book too!

• Sales Rank: #999718 in Books
• Published on: 1946
• Number of items: 1
• Binding: Hardcover
• 278 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Save lives. Read what Chris wrote and incorporate his lessons into your efforts.
By Tom Strentz
This book is by far the finest text for Crisis Negotiators i have ever read. I am the guy who got the ticket to write the FBI negotiations program back in 1976. As an FBI Supervisor Special Agent and instructor in our Special Operations Unit who had a background in mental health I developed some of our basic tactics that are still used. When I read what Chris wrote I feel like Wilbur Wright participating in a space launch. Chris has taken what we started and moved it decades down the road. Chris draws on decades of experience negotiating hostage and kidnapping cases when he was in the FBI. He suggests that crisis negotiators get around saying no by asking the subject how. He also clearly presents the power positions in the negotiations process. Each chapter has an excellent summary. The only problem with his efforts is that he presents such brilliant insights that a new negotiator might believe they are beyond their ability. Well, they were beyond Chris and the rest of us at the begining. I strongly recommend that his negotiation tenets that range successfully resolving hostage and kidnapping crisis to buying a car be incorporated by all who negotiate. Granted that at first you will not be as efficient or effective. Learn from your mistakes, re-read his book and as he did get better and then have the courage to also write a fantastic guide for those who follow. To summarize what Chris wrote in one one I would say WOW..

10 of 10 people found the following review helpful.
Powerful; engrossing; a fine literary achievement.
By Anne Rice
I found this novel beautifully written and engrossing to the last word. Why is it out of print? I hope it experiences rediscovery, and a revival. The author boldly chronicles the experience of her heroine, Virginia Cunningham, a gravely ill woman in a mental hospital, from the point of view of that woman, as she struggles with the violent side effects of shock treatment on her memory and her capacity to make sense of where she is and what is happening to her and why. The writing is uncompromisingly profound throughout. The effect ultimately is a triumph for the author in revealing a Hellish world in which institutional treatments for insanity come across as brutal and sadistic, and enough to drive any sane person crazy. Hunger, extreme cold, poor hygiene, neglect, bullying by other patients, forced feeding, forced baths, forced binding of patients and of course shock treatments ---- all this is presented in gruesome detail. What the heroine endures and suffers is terrifying. ----- Sources indicate that when the book was published, Ward denied that it was based on personal experience. But apparently it was indeed based on her own experience, and we are told that "The Snake Pit" played a role in getting reforms to mental health care in America. ------ I'm in awe of the novel's power. I'm in awe of the sustained experiment of telling it all from Virginia's point of view, no matter how disoriented or confused or delusional Virginia becomes. And I left the novel comforted by the author's achievement. I do hope this book will be republished and recirculated. (I love the movie based on it, but that is another story altogether.)

35 of 37 people found the following review helpful.
If This Be Shelter, Give Me Storm Away from the Hills
By Graceann Macleod
This groundbreaking novel is based on Mary Jane Ward's personal experiences in the Rockland State Hospital (here renamed Juniper Hill) after suffering a nervous breakdown. The story told is heartbreaking in its blunt simplicity - the lead character, Virginia, is not sure where she is at first, or why she is there, and the reasons for her confusion become painfully clear as one turns the pages.

The point of view changes abruptly from first to third-person, and this was disconcerting for me as a reader. This is the only reason that I've given the book four stars rather than five. As I consider it further, it may be that Ward chose this disjointed narrative deliberately, in order to establish Virginia's feeling of constantly having the world tilt around her.

I suspect that even this grim narrative of institutional life is rosier than the reality, but this is terrifying enough. Dangerous patients, nurses who have grown immune to the suffering around them, and draconian "therapies" all play a part in Virginia's experience. Just the luxury of having a dry bed to sleep in, or an uninterrupted period of private time in a powder room, is enough to give her joy and the illusion that she is getting close to freedom.

As the clouds start to clear for Virginia, the narrative becomes more crisp and I realized that she was inching back to the "real world." I was rooting for her to make a complete recovery and to resume her life.

Sadly, Mary Jane Ward was hospitalized three more times after the institutionalization that inspired this novel. I understand that she still managed to write several books, including two others that reference mental illness, and I am now keenly interested in those stories.

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A Companion to Derrida is the most comprehensive single volume reference work on the thought of Jacques Derrida. Leading scholars present a summary of his most important accomplishments across a broad range of subjects, and offer new assessments of these achievements.

• The most comprehensive single volume reference work on the thought of Jacques Derrida, with contributions from highly prominent Derrida scholars
• Unique focus on three major philosophical themes of metaphysics and epistemology; ethics, religion, and politics; and art and literature
• Introduces the reader to the positions Derrida took in various areas of philosophy, as well as clarifying how derrideans interpret them in the present
• Contributions present not only a summary of Derrida’s most important accomplishments in relation to a wide range of disciplines, but also a new assessment of these accomplishments
• Offers a greater understanding of how Derrida’s work has fared since his death

• Sales Rank: #754411 in Books
• Published on: 2014-09-15
• Original language: English
• Number of items: 1
• Dimensions: 9.90" h x 1.40" w x 7.00" l, .0 pounds
• Binding: Hardcover
• 652 pages

Review

“Highly recommended. Upper-division undergraduates through researchers/faculty.”  (Choice, 1 March 2015)

Review

"This collection contains lucid and penetrating essays by a number of prominent scholars on the thought of Jacques Derrida. It not only provides an extraordinary exegesis on the fundamental concepts in Derrida’s thought, but also places Derrida’s work in a critical context. Without exaggeration, this volume is the most comprehensive and penetrating collection on the thought of Derrida to date."
—Peg Birmingham, DePaul University

"This superb volume brings together some of Derrida's leading critics, commentators and interlocutors to provide a comprehensive overview of his work. The 35 chapters are a testament to the breadth and depth of Derrida's work and a helpful guide to his fundamental concepts and abiding concerns. This volume is an invaluable resource for anyone interested in Derrida."
—Paul Patton, University of New South Wales

From the Back Cover

A Companion to Derrida is the most comprehensive single volume reference work on the thought of Jacques Derrida. Although rooted in Derrida’s contribution to the discipline in which he trained – philosophy – the volume is also of central interest to those whose primary engagement is with Derrida’s impact on literature, psychoanalysis, art, religion, history, legal studies, political science, history, and sociology. The essays, contributed by the most prominent scholars of Derrida, present not only a summary of his most important accomplishments in relation to these disciplines, but also new, cutting-edge assessments of these achievements.

Derridean deconstruction has forced many disciplines into a process of self-examination; the new essays gathered within this collection also raise the question of what comes after deconstruction. They evaluate the novel possibilities of what the deconstructive strategies reveal and examine what they amount to. As a result, A Companion to Derrida both clearly offers new insights into Derrida’s influence across a broad range of subjects, and a greater understanding of how Derrida’s work has fared after Derrida.

Most helpful customer reviews

1 of 5 people found the following review helpful.
Five Stars
By Empédocle
A very important book on Derrida and deconstruction...A very new way to understand what deconstruction means now for us...

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In Reefer Madness, the best-selling author of Fast Food Nation investigates America's black market and its far-reaching influence on our society through three of its mainstays -- pot, porn, and illegal immigrants.

The underground economy is vast; it comprises perhaps 10 percent -- or more -- of America's overall economy, and it's on the rise. Eric Schlosser charts this growth, and finds its roots in the nexus of ingenuity, greed, idealism, and hypocrisy that is American culture. He reveals the fascinating workings of the shadow economy by focusing on marijuana, one of the nation's largest cash crops; pornography, whose greatest beneficiaries include Fortune 100 companies; and illegal migrant workers, whose lot often resembles that of medieval serfs.

All three industries show how the black market has burgeoned over the past three decades, as America's reckless faith in the free market has combined with a deep-seated puritanism to create situations both preposterous and tragic. Schlosser traces compelling parallels between underground and overground: how tycoons and gangsters rise and fall, how new technology shapes a market, how government intervention can reinvigorate black markets as well as mainstream ones, how big business learns -- and profits -- from the underground.

With intrepid reportage, rich history, and incisive argument, Schlosser illuminates the shadow economy and the culture that casts that shadow.

• Sales Rank: #13958099 in Books
• Published on: 2003
• Format: Import
• Binding: Digital

Amazon.com Review
As much as 10% of the American economy, and perhaps more, is comprised of illegal "underground" enterprises, according to author and Atlantic Monthly correspondent Eric Schlosser. And while this segment is never discussed in the newspaper business pages, Schlosser tackles it with the same in-depth analysis and compulsive readability that made his Fast Food Nation a best seller. Reefer Madness spotlights marijuana, migrant labor, and pornography, three of the most thriving black market industries, and analyzes the often-tenuous place each holds in society as a whole. While each of the three could be the subject of its own book, Schlosser keeps his scope narrow by concentrating on the lives of the participants in the underground economy, especially Mark Young, an Indiana man given a life sentence for participating in a marijuana sale, and Ohio porn magnate Reuben Sturman. At just 21 pages, the treatment of migrant laborers in the California strawberry fields is dealt with more briefly but is just as compelling thanks to the first-person narrative of Schlosser’s investigation. In telling these stories, which are both personal and universal, Schlosser deftly explores the manner in which his subjects are treated (and punished) compared to others in more above-ground ventures. Along the way, he asks hard questions as to what that treatment says about America. Schlosser writing is passionately opinionated, but this is no mere opinion piece: his perspective is amply supported by extensive research and clearly reasoned interpretation of data. His direct and forceful writing style makes the impact greater still. After reading Reefer Madness, readers are likely to be shocked, appalled, and flat-out bewildered by what’s happening in the cracks and crevices of American business. --John Moe

From Publishers Weekly
From the bestselling author of Fast Food Nation comes this captivating look at the underbelly of the American marketplace. In three sections, Schlosser, an Atlantic Monthly correspondent, examines the marijuana, migrant labor and pornography trades, offering compelling tales of crime and punishment as well as an illuminating glimpse at the inner workings of the underground economy. The book revolves around two figures: Mark Young of Indiana, who was sentenced to life in prison without parole for his relatively minor role in a marijuana deal; and Reuben Sturman, an enigmatic Ohio man who built and controlled a formidable pornography distribution empire before finally being convicted of tax evasion, after beating a string of obscenity charges. Through recounting Young's and Sturman's ordeals, and to a lesser extent, the lives of migrant strawberry pickers in California, Schlosser unravels an American society that has "become alienated and at odds with itself." Like Fast Food Nation, this is an eye-opening book, offering the same high level of reporting and research. But while Schlosser does put forth forceful and unique market-based arguments, he isn't the first to take aim at the nation's drug laws and the puritanical hypocrisy that seeks to jail pornographers while permitting indentured servitude in California's strawberry fields. Nevertheless, this is a solid-and timely-second effort from Schlosser. As world events force Americans to choose values worth fighting for, Schlosser reminds readers, "the price of freedom is often what freedom brings."
Copyright 2003 Reed Business Information, Inc.

From Booklist
Schlosser is the author of the best-selling Fast Food Nation (2001), which was a consciousness-raising examination of the fast-food industry. He now turns his reporting acumen to American underground economic activity, which, according to him, constitutes 9 to 10 percent of this country's economy--in other words, millions and millions of dollars that "cannot be accounted for." The black market in the U.S. "is where economic activities remain off the books, where they are unrecorded, unreported, and in violation of the law." The author focuses on three major black-market arenas: marijuana, the most widely used illegal drug in the U.S.; migrant workers in California, most of them illegal immigrants; and the pornography industry. Of course, woven into his account of this trio of black-market gold mines is also an examination of their effect on all of us, for the consequences are far reaching, from employing a child-care worker to downloading pornography off the Internet. His careful research and equally careful writing style contribute to a study that is certain to garner as much attention as his previous book. Brad Hooper
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
Title is misleading
By Michael
Like the numerous other reviewers on here have mentioned, this book is actually 3 completely different stories that look at 3 different undergroundor black market aspects of American society. The stories explore how and where money is exchanged when the deals are not above board so to speak. The first section deals with marijuana and it is a pretty interesting read. Facts are all referenced and opinions are sprinkled throughout without being overwhelmingly bias. I enjoyed the book, but I had anticipated it would be all about drugs and the drug trade, not about migrant workers and strawberries. Good book, but not what I had expected. Shame on me for looking at the title and thinking it was all about Reefer. You can't judge a book by its cover, and apparently you should not base expectations on a title either.

2 of 2 people found the following review helpful.
Three Articles, Lightweight Sequel to Fast Food Nation
By Robert David STEELE Vivas
Although the author is gifted, this is a very light-weight sequel to Fast Foot Nation and the author's next book on prisons is therefore already suspect. This could have been a great book--indeed it could have been three great books--but in the rush to publish a second book in order to profit from the justifiable applause for his first one, the editor and publisher and author have all failed.
There are three articles here: the first is about the inconsistencies of the drug versus the murder laws, the number of people in jail for marijuana, and the social implications of all this; the second is on the underground economy of illegal workers and profiteering abusive corporations (McDonald's is especially evil in this depiction); and the third is about pornography but with a twist, focusing on how hotels and other major corporations are profiting.
The books ends with a very short but thoughtful observation regarding the need to change the law and punishment so as to back away from life-ending punishments for individual behavior that is merely self-destructive or distastement, and focus the heaviest punishments on those who commit economic crimes against society and entire sub-sections of society.
In each of these three cases, there are other books that are better--Deep Cover by Michael Levine on the futility of drug enforcement and the corruption of Drug Enforcement Agency "suits"; Forbidden Knowledge by Roger Shattuck, on pornography among other things; and The Informant by Kurt Eichenwald, on the sweetheart triangle between national-level white collar corporate criminals, big law firms, and a compliant Department of Justice that lets the richest bad guys off easy.
I would caution the author to not do this again--the next book had better be as good as Fast Food Nation, or he will fall into the second rank of serial writers rather than culture-changing authors, where he deserves to stay.
I would also encourage anyone considering buying this book to do so--it does have useful information--but more importantly, if you have not read Fast Food Nation, go to that page and think seriously about buying and reading it now--as McDonald's gets blamed overseas for being the epidemy of all that is hateful to Islamics, as Kraft Food pays lip service to healthy food in its realization that Oreo cookies are killing kids, what Eric Schlosser did in Fast Food Nation is being appreciated more and more each day--with that book, he did indeed change national consciousness, an achievement that will stand in history as a turning point in creating a healthier America.

0 of 0 people found the following review helpful.
Great book with great insight - not my first time ...
By Hochimin
Great book with great insight - not my first time reading it but I bought it for some "GET THE IMMIGRANTS OUT" Trump enthusiasts who say that immigrants cost us money; when the reality is that they contribute to our GDP and are quite nice to have around!

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With over twenty thousand online pre-orders, this is the SEO book the industry waits for every year! With over seven million copies sold since 2001, Sean Odom is the industry expert you can count on to deliver what you need to know to succeed in your website marketing in 2016. With new and updated coverage of Google Webmaster Tools, the Data Highlighter Tools, and specific algorithm changes you need to know to succeed including the all new RankBrain AI! Businesses pay big money to have Sean Odom and his team handle their SEO every year and he places all of his secrets in this book every year! It has become the trusted blue print of how to succeed in SEO whether you use, WordPress, Joomla, HTML4/5 or any other website design platform you need this book. Trust no other SEO provider or book to your businesses success or you may be sorry.

• Sales Rank: #3389893 in Books
• Published on: 2015-12-01
• Original language: English
• Dimensions: 9.00" h x .60" w x 6.00" l,
• Binding: Paperback
• 264 pages

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1 of 1 people found the following review helpful.
Don't bother
By GLWM
Don't waste your money on this book or any "SEO" books written by Sean Odom, including those written under "pseudonyms", including Mike Monahan, Jason McCormick and Sean M. Farrell. These are all one and the same person which he uses to promote his multitude of SEO related businesses, giving the appearance not only of having multiple "SEO Experts" working for his companies but also of creating the illusion that his various companies are not actually related. Thus he can give the appearance of objectivity when, as one person/author, he "recommends" another of his business to readers/customers (which is basically any business or company or service he recommends aside from the obvious exceptions like Google and Microsoft). Instead of wasting your money here, get a real, and well-written SEO book such as "The Art of SEO: Mastering Search Engine Optimization" (Eric Enge, Stephan Spencer, Jessie Stricchiola). http://smile.amazon.com/Art-SEO-Mastering-Search-Optimization/dp/1491948965/ref=sr_1_16?ie=UTF8&qid=1435029628&sr=8-16&keywords=seo

0 of 0 people found the following review helpful.
Extremely good information but full of grammatical errors and typos.
By Martin
Sean is clearly an expert and I recommend this book even if you don't plan to optimise your site because it will show you what is required to raise your site's visitor numbers. Armed with the information, you can decide whether it's necessary and assess how many man-hours it might take. That's a useful piece of information if you need to negotiate a price for the work.

Sean does, however, assume a certain amount of knowledge on the reader's part. For example, if you've never heard of a "robots.txt" file, you might want to read a more basic manual first.

On the downside, the book has not been copy-edited. Considering that Sean insists that you should check your website for errors in spelling, grammar and punctuation, it's disappointing to find that this book is full of such errors. Indeed, it lowers Sean's credibility and would make me think twice about letting him type anything on any of my sites. Basic mistakes such as the use of "your" instead of "you're" are especially worrying but there are also words missing, words duplicated and words misspelt - the combination of errors making some paragraphs difficult to understand. Frankly, this book is a "beta version" and should never have been released as it is. Please, Sean, get it fixed.

0 of 1 people found the following review helpful.
Five Stars
By hammer33
Sean writes the definitive step by step.

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• Sales Rank: #3764780 in Books
• Published on: 1994
• Binding: Paperback

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Hailed as the most successful exhibition of photography ever assembled, The Family of Man opened at The Museum of Modern Art, New York in January 1955. This book, the permanent embodiment of Edward Steichen's monumental exhibition, reproduces all of the 503 images that Steichen described as "a mirror of the essential oneness of mankind throughout the world. Photographs made in all parts of the world, of the gamut of life from birth to death." A classic and inspiring work, The Family of Man has been in print for more than forty years. The New York Times once wrote that it "symbolizes the universality of human emotions." First produced by a magazine publisher and sold by the hundreds of thousands on newsstands and in airport shops, The Family of Man has been in more recent years published by the Museum. It has been continuously in print since 1955; the present Thirtieth Anniversary Edition was prepared from original photographs with all new duotone plates in 1986.

• Sales Rank: #856571 in Books
• Published on: 1996-09
• Original language: English
• Number of items: 1
• Dimensions: 11.25" h x 8.50" w x .50" l,
• Binding: Paperback
• 192 pages

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This book has the power to educate all people of all ages
By A Customer
In the same way an infant is captivated by a human face, so is the receptive reader drawn to the pages of this book, over and over again. In photographs taken around the world, the images remind us of the overwhelming preciousness of our all-too-short lives, the mystery of the universe, and the inherent potential of humankind to choose its own way.
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This may well be the first and greatest lesson in life.

26 of 26 people found the following review helpful.
This book is a magic book--absolutely essential. (NOT recent editions, though).
By AvalonM
I've always thought of THE FAMILY OF MAN as a magic book, ever since discovering it on the family bookshelves when I was a young child. The thing was (above and beyond the book's excellence and power to move anyone with a heart), for many years it seemed that every time I would delve into this book, there would be at least one new picture, one I could swear I'd never seen before. I still sometimes have that experience (although nowadays I tend to attribute it to an aging mind). I do remember at first being most impressed and guiltily fascinated by the powerful pictures of birth, which my siblings, our friends and I would look at, giggling in horrified wonder, and by those "nasty" (actually, beautiful) pictures of breastfeeding. I still remember our mom explaining that there was nothing "nasty" about any of those pictures, that they were true and lovely. That was only one of many life lessons she taught us, using images from this book.

Each image is a whole story, a world, unto itself, and the beauty is the connection of each one to all the others, just as we are all connected to each other in the family of man (as well as to all that the world comprises, like it or not). As others have written, I have given numerous copies of this book as gifts over the years. (That was not so successful when I gave it to my brother and sister-in-law as part of their wedding present. My brother had grown up with it, but his bride had never seen it before, and was somewhat horrified and disgusted by it; unfathomable to me. I don't think it lasted long in their home, if it ever made it there at all.)

Sometime in the mid-'90s I bought a new copy in a bookstore, and was upset and very disappointed to discover how it had been changed and messed up in that edition (which was, I believe, put out under the aegis of Disney's Buena Vista Entertainment). The look and feel of the paper were wrong, to begin with: too bright white and thick. Pictures had been cropped differently and (I think I'm remembering correctly on this), in some cases, laid out somewhat differently. I recommend avoiding such copies (I don't know what is being published now in that regard, or if the book is out of print, or if they've gone back to the original look and feel); the differences, though subtle, really are jarring and very much diminish the quality. This 'brightened' version came in the wake of a spate of "Family of..." books (Women, Children, and I think maybe a couple of others), that always seemed opportunistic, a little crass, and pitiful in their inability to approach the fundamental, universal, inevitable feeling of the original. Not that these others were without merit, but almost always, an original will far overshadow any sequels or copies that come after it. That's certainly the case here.

30 of 32 people found the following review helpful.
This book is a classic - timeless and striking.
By Amietatema@aol.com
The Family of Man - first published in 1955 - is the pictorial record of one of the most riveting exhibitions of photography of all time. The book, which contains some text, is a poignant treasure of the human condition - from birth to death. It shows man's relation and connection to life, regardless of country or language and all that we share through love, pain, rituals and simply coping. The phrase " a picture is worth a thousand words" comes alive in The Family of Man.

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German composer Karlheinz Stockhausen was arguably the most influential figure of the European postwar avant-garde and unquestionably the most elusive and enigmatic musical thinker of a generation that includes Pierre Boulez, John Cage, and Luciano Berio. His radically new electronic and instrumental music converted Igor Stravinsky to serialism in the 1950s and has continued to inspire young composers for more than fifty years.

Other Planets: The Complete Works of Karlheinz Stockhausen, 1950–2007 draws on more than fifty years of Maconie’s close study of Stockhausen and functions as a catalogue raisonee of Stockhausen’s complete output. With plentiful citations from the history of radio, film, and sound recording, as well as from contemporary science and technology, the book is laid out in chronological order and contains ample commentary on the composer’s sources of inspiration. Each composition is also fully documented within the text, giving full information of each work’s publisher, catalog number, instrumentation, duration, and authorized compact disc. The updated edition extends the range of the volume’s contents to include the twenty-five works Stockhausen composed between 2004 and his death in 2007.

Stockhausen’s status in the history of music in the late twentieth century can now be appreciated with unprecedented clarity. All listeners will benefit from this work, and American music lovers in particular will find it an invaluable guide to the ongoing debate and rivalry over the sources of abstract expressionism and the avant-garde.

• Sales Rank: #1493540 in Books
• Published on: 2016-09-26
• Original language: English
• Dimensions: 8.93" h x 1.63" w x 5.98" l, .0 pounds
• Binding: Paperback
• 598 pages

Review
...well done...Stockhausen has been such an extraordinary figure within the musical world of the last 50 years―variously a musical scientist, a psychic astronaut, and a neo-Wagnerian megalomaniac―that we need to know much, much more. (Musical Times)

A composer of avant-garde electronic and instrumental music, Karlheinz Stockhausen is one of the most elusive and enigmatic musical thinkers of his generation. Organized chronologically, this volume catalogs Stockhausen's complete output and identifies the sources of his inspiration. Each composition is fully documented with information on publisher, catalog number, instrumentation, duration, and authorized compact disc recording. (Reference and Research Book News)

In the past, one could argue that books written by devoted disciples (such as Maconie) would find their strongest audience primarily in other true believers. The present volume, however, can be read with pleasure for its insightful comments on a host of topics―philosophy, poetry, German responses to Nazism, and the music of Boulez, Berio, Cage, Reich, Riley, et al. Stockhausen himself is omnipresent, of course, and the text is peppered with quotations from the composer's writings. As always, these can be brilliant, perceptive, arrogant, silly, mystical, infuriating, or incomprehensible. But the context of such comments can now be seen in sharper focus. A fascinating book containing many gems. Highly recommended. Upper-division undergraduates and above. (CHOICE)

...Maconie often does say shrewd and penetrating things. He has a nice way with metaphor...There are many good things in this book... (BBC Music Magazine)

Stockhausen's chief chronicler... (Alex Ross The Rest Is Noise)

We might be forgiven for assuming that it is a third edition of the 1976 original. But this is not the case. 'Other Planets' is, in most essential respects, new. It is also remarkably fresh and comprehensive....Crucially, for anyone disposed to assume that Stockhausen has for a quarter of a century been a shadow, if not a parody, of his former self, Maconie should make you think again....Maconie's criticism is especially potent for being so precise in matters of technical chapter and verse, the reactions of a musician who has as good an idea as anyone of the composer's working methods....Another strength is that, although the narrative is chronological, Maconie takes considerable pains to trace connections and associations, musical and cultural, in ways which...overall, bring a plausible coherence to what might otherwise have been a disjointed narrative. Stockhausen is represented as the product of a time when radio, cinema, and surrealism were dominant cultural influences, and this core characterization leads to many striking and illuminating analogies....Above all, Maconie wishes to characterize Stockhausen not simply as a composer, but as a teacher, after the holistic, utopian ethos of Friedrich Froebel. The book ends with a tour de force in the form of 140 pages on 'Licht', which offers a gripping traversal of the cycle's strengths and weaknesses…[and] a masterly contextualization of the work's character and quality. Maconie rarely puts a foot wrong....Other Planets is a remarkable achievement, and essential reading for all concerned with the present and future of serious music as something intricately involved in wider cultural currents. (Tempo)

New Zealand composer and musicologist Robin Maconie has written a meticulously researched biography of the man many believe to be the world's greatest living composer, German electronic music pioneer Karlheinz Stockhausen. Maconie is regarded as the world authority on Stockhausen, and his book Other Planets: The Music of Karlheinz Stockhausen is the result of 40 years of studying his work. (The New Zealand Edge)

...Maconie's exploration of all things Stockhausen is a winner....this new book offers greater nuance and―delightfully―earnest criticism....Maconie has done amazing work. (La Folia: Online Musical Review, April 2007)

Books about Stockhausen have not been scarce, but an up-to-date and not overly technical study of his music was certainly needed: this one fits the bill admirably....an ideal overview... (Teaching History: A Journal of Methods)

An invaluable and exhaustive study of a giant in western music. (John Harper)

...great fun to read, and full of provocative nuggets of information...a useful guide. (Times Literary Supplement)

a lucid study... (The New Zealand Herald)

A piece-by-piece guide to the composers music, and an absolutely essential reference. (Artsaha!)

His commentary was remarkably attuned not only to the physical presence of the canvas, but also to its otherworldly harmonies....Maconie- as writer as well as speaker- is an immensely practical, at times demanding, yet persuasive guide to both the world around us and the "other planets" contained therein. (New Zealand Books, Fall 2008)

The sheer amount of information is of immense value....The book provides an invaluable foundation for further research on Stockhausen. (Oxford Journal, February 2009)

About the Author
Robin Maconie is a New Zealand-born composer and musicologist who has studied with Olivier Messiaen and Karlheinz Stockhausen.

Most helpful customer reviews

10 of 12 people found the following review helpful.
incredibly comprehensive, a Good Read
By scarecrow
For some time now there's been little published in English on Stockhausen, Maconie's work here makes up for lost time, You can however study with Stockhausen himself if you rather not simply read a book,that real-life, real-time reality fixes seems to be the "buzz" now. You can be a "Survivor" yourself after spending time with Stockhausen and his incredible approach to making music/art/time/space/timbre/mists/clouds/lines/texts; he offers courses each August in Kurten a suburb of Cologne.

Maconie studied with everyone in the European avant-garde,and has been there for premiere performances and knows both sides of the fence, the theoretical/conceptual and performative,and has wonderful insights into not only where certain works are situated within Stockhausen's creative evolution, but the performance problems, and responses to current or latter day reality.
The work here is organized situated around concepts,"polarities","revolution", "aleatory", "Contacts" "Uncertainty" or more functional items as "rhythmic cells",(dealing with early Boulez and Messiaen's concepts) of organizing musical moments(Stockhausen came to abandon this way of thinking in the early Fifties with the first four :klavierstuck: wirtten in Paris),or "Temperaments", as the use in electronic music as "Studie" :Gesange der Juenglinge:.

Chapters come to be like galaxies,"mists" where Stockhausen's music circles revolves around,like layers/swirls of functions,working premises. Maconie traces the breaking off points as well as realms of innovation,which can take odd turns as his ongoing disinterest in strings for example,(violins, cellos)culminated as the subverted "Helikopter Quartet".Strings, here the Arditti Quartet in motion flying away from each other.I wonder if $100,000 instruments were used for this journey?

Also surveyed herein was Stockhausen's early interest in Meyer-Eppler,"how time passes" and communication theory, his concepts of Zeit,densities of Time, and Cycles in music of "particles" of tones,points,"Punkt" "groups", "clusters",each work is given explanation,as for example the coordinated utilization of timbre in the early works, how instrumental color became associated with electronic tones as the sine wave(flute), sawtooth(brass), as in the early "Kontra-Punkte", and later "Kontakte", there was a set of problematics in the interface of electronic sounds with instrumental timbre which was not really resolved interestingly, each realm became unto itself, influence by the other but seldom inhabiting the same conceptual space, "Gruppen for three orchestras" for example was largely influenced by thinking of tones electronically, the complexity of timbral/textural modulations,but the work functions with pure instrumental timbre.
Not until the introduction of LIVE electronics as in the process pieces, as "Plus-Minus", or "Telemusik", "Kurzwellen", the use of short-wave radios", did this get resolved. Improvisation was also the "buzz"in the late Sixties, Seventies that Stockhausen adopted as in these works and "Aus dem Sieben tagen", a set of word pieces as a stimulant for improvisation."Take another's sound and follow it"
Stockhausen was always unrelenting in his search for the next thread of innovation be it any realm even transformations of timbre itself as in his various "klavierstuck", the overwhelming complexity of timbre in the :Tenth klavierstuck: for example, situates a subterranean realm in the extended uses of silences, as like a subverted mirror where the music can only be remembered,the discourse is transgressed; but the piano timbre then is like independent to itself not responsive to anything outside the moment when it occurs and then it is fairly continuous as an organ with the forcefulness,and the directedness of the acoustic piano capabilities,as large size cluster chords,brutal forearm and the cluster glissandi.

Maconie goes straight through the lifeworlds here with talks on the the various pieces from LICHT, all of it, and we get to know the various forms this opera has takened, with "franchises" of works from each of the operas that can be performed as an independently as an excerpt. Maconie writes well with metaphors created from popular culture, Buster Keaton,films to situate Stockhausen's rather austere,cold work at times within a larger context of the here and now. We learn however that deep down Karlheinz is a bit of a conservative,having his own fixed points of "comfort zones" throughout his massive oeuvre yet harboring an aesthetic still for innovation,for the unknown not ever succombing(arguably) to the vagaries of the marketplace with repeatable works and gestures, or throw-away art. He has takened issue for example with American Pop Art as a means of escaping the issues of contemporary expression, and Stockhausen always replaces escape into entertainment(popular forms, tunes, nefarious corrupted minimalism, improvisation copy-cats) with hard-work, the Protestant ethic as Weber has said.
But the operas under LICHT are in fact reponses to the current scene, of feminism,myth and cosmology of the moment "Montag",then childhood somewhat autobiographical in "Donnerstag", or war and violence in "Dienstag",Tuesday, the god of Mars,and the first opera on evil and corruption-darknesses, Lucifer's Dreams as in "Samstag". Each opera is given wonderful discussion,with verbal descriptions of what occurs on stage. Still this is an incredible book. . .

0 of 0 people found the following review helpful.
Maconie's questions often border between hostility and misunderstanding
By Terry Fugate
Stockhausen's responses are patient, insightful, and against all odds, illuminating. Genius and "pushing the envelope" are often met with disdain. His achievements are above reproach.

3 of 4 people found the following review helpful.
Effect without cause, music without analysis
By Mikhail Lewis
This book is a great way to convince oneself that Stockhausen (and Maconie) shouldn't be taken seriously. Maconie opens the book by introducing his main problem: his intention was to show where Stockhausen's pieces came from, however the composer doesn't believe in causality (cause and effect) and was thus unwilling to help him. While this was funny at first, hundreds of pages in this difficulty becomes tedious. Maconie replaces actual comparison and demonstration with bare assertion and simple alignment, mentioning things next to each other without actually demonstrating a connection. Left without any explanations from the composer for decades of work the author seeks his own explanations from the writings of Stockhausen, contemporary music, events, and art, and his own obsessions. These include Cocteau's Orpheus and contemporary rave culture including "dangerously" loud music and drug use. Though the back of the book says, "Maconie wisely avoids technical analysis," I would have appreciated some.

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